Film, Art and Culture - Norms, Policy and Design
Organisational Structure of the Foundation
Kino Klassika Foundation is an UK registered charity. Our charity number is 1150791. Kino Klassika’s trustees, Professor Ian Christie, Daniel Jowell QC, Roger Munnings CBE and Justine Waddell are ultimately responsible for the governance of the organisation, which is both a registered charity and a company limited by guarantee.
Ian Christie is Anniversary Professor of Film and Media History at Birkbeck College and a Fellow of the British Academy. He is the co-curator of our exhibition at GRAD Unexpected Eisenstein. He co-curated Eisenstein: His Life and Art (Oxford Museum of Modern Art/Hayward Gallery, 1988). Ian also co-edited Eisenstein Rediscovered (1993) and The Film Factory: Russian and Soviet Cinema in Documents, 1896-1939 (1988). He is the author of monographs on Michael Powell, Emeric Pressburger and Martin Scorsese.
Daniel Jowell is a leading Queen’s Counsel with particular experience in multi-jurisdictional commercial disputes and competition law. Daniel’s interest to support Kino Klassika stems from his great interest in cinema and Russian culture
Roger Munnings is currently chair of the Russo-British Chamber of Commerce. He is also a member of the boards of PJSC Lukoil and JSC Sistema. Roger was Chairman of KPMG Moscow from 2004 – 2008.
Justine Waddell is the founder of Kino Klassika. An acclaimed film and stage actress, Justine played the lead in Vladimir Sorokin and Alexander Zeldovich’s sci-fi version of Anna Karenina, Target (2011), for which she learnt the Russian language from scratch.
Ralph Fiennes is an Academy Award nominated actor and film director with a deep interest in Russian theatre and film playing the title role in the film version of Eugene Onegin and the Russian language version of Turgenev’s Two Women.
Alexia Claydon, Social Media Manager
Alexia is a final year undergraduate at the University of Birmingham where she studies History and Russian. Having lived in Saint Petersburg for a year she is keen to maintain both a linguistic and cultural connection with Russia and Eurasia through film. At Kino Klassika Alexia is involved with marketing and social media for our projects. Email: [email protected]
Olga Doletsyaka, Curator and Rights Co-ordinator
Olga is a Russian native and a graduate from the University of Edinburgh with a Master’s degree in Social Anthropology. She wrote a dissertation on queer culture and families in Russia. Her research interests lie in the intersection of post-Soviet art and activism. At Kino Klassika, Olga is a season manager working with venues. She is also a part of the curation team doing research and selecting titles for our seasons. Email: email@example.com
Dina Kozlikina, Programming & Subtitling
Dina is a native of Ukraine and a fluent Russian and English speaker. She is a passionate musician and pays a lot of attention to composition. “I love seeing the development of Ukrainian cinema. I believe that films can affect people in different ways so it’s important to have good Ukrainian films. I’m happy to be a part of KKF because it gives me an opportunity to get into this sphere.” Email: firstname.lastname@example.org
Sandra Radinovich, Content Manager
Sandra is currently a third-year student of BA Russian and History at School of Slavonic and Eastern European Studies, UCL. A life-long fan of film, language, and history, she enjoys learning new things about all three fields through the work she does at Kino Klassika, most of which involves translating and proof-reading subtitles, as well as writing for the journal. email@example.com
Kino Klassika projects are executed through a network of collaborative partnerships we build between international partners.
Kino Klassika builds partnerships with experts in different fields to create platforms and programs that use classic Russian film material as the lens through which to examine praxis in film, art, culture and socio-political design. Each programme rotates out of an initial idea or opportunity that we generate or an expert or institution brings to us. From that, we develop content, research and artistic commissions while listening to both curators and audiences to build programs with international reach.
How do we work
Kino Klassika programmes emerge from strategies that help us identify an area of research we want to draw attention to, the kind of programme we want to accomplish and how we can have the greatest impact.
We negotiate between the different agendas of advisors, participants and audiences to create programmes that deliver new, relevant research with clear and accessible narratives to stimulate the curiosity of new and returning audiences.
There are three key phases to defining our major goals and identifying a clear path to achieving them:
Research and development
General enquiries please contact us at
For specific enquires, please see team members above, and direct to the relevant member.
Our postal address is: